Non-Representational Theory and the Creative Arts

<div><div>Acknowledgments.- Notes on Contributors.- Foreword: Non-Representational Dreams.- 1 Creative Practice and the Non-Representational.- Part 1 Situated Practices in Art, Craft and Design.- 2 Geo/graphic Design.- 3 Geologic Landscape: A Performance and a Wrecked Mobile Phone.- 4 Micro-Geographies of the Studio.- 5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation.- 6 Feeling Queer Art in Public:&nbsp; The Gay Liberation Monument.- Part 2 Artistic Engagements with Geography.- 7 Affecting Objects:&nbsp; Enacting Gesture within a Performative Research Enquiry.- 8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography.- 9 ‘Call That Art?&nbsp; I Call It Bad Eyesight’:&nbsp; Seeing or Not Seeing in the Context of Responsive Art Practice.- 10 Forward, Back, Together – and the Materialities of Taking Part.- 11 Where Does ‘Your’ Space End and the Next Begin?&nbsp; Non-Representational Geographies of Improvised Performance.- Part 3 Geographers Exploring Artistic Practice.- 12 Making Theatre That Matters:&nbsp; Troubling Subtext, Motive, and Intuition.- 13 Creativity, Labour, and Captain Cook’s Cottage:&nbsp; From Great Ayton to Fitzroy Gardens.- 14 Material Conditions in the Post-Human City.- 15 Attuning to the Geothermal-Urban:&nbsp; Kinetics, Cinematics, and Digital Elementality.- 16 Thresholds of Representation:&nbsp; Physical Disability in Dance and Perceptions of the Moving Body.- Interlude: Supervising.- Part 4 Sound, Music, and Creative Mobilities.- 17 Audio Recording as Performance.- 18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies.- 19 Walk with Me.- 20 Imaginal Travel:&nbsp; An Expedition in Fine Art Practice in Search of the Loneliest Palm.- 21 Fragments (formerly Tales from the Asylum).- 22 On Edge:&nbsp; Writing Non-Representational Journeys.- Afterword: Sensing the World Anew.<br></div></div>