Photography After Conceptual Art

1. Introduction: Photography After Conceptual Art (Diarmuid Costello, University of Warwick and Margaret Iversen, University of Essex).
<p>2. Auto–Maticity: Ruscha and Performative Photography (Margaret Iversen, University of Essex).</p>
<p>3. Ed Ruscha, Heidegger, and Deadpan Photography (Aron Vinegar, Ohio State University).</p>
<p>4. Subject, Object, Mimesis: The Aesthetic World of The Bechers′ Photography (Sarah E. James, University of Oxford).</p>
<p>5. Exit Ghost: Douglas Huebler′s Face Value (Gordon Hughes, Rice University).</p>
<p>6. Productive Misunderstandings: Interpreting Mel Bochner′s Theory of Photography (Luke Skrebowski, Middlesex University).</p>
<p>7. Roni Horn′s Icelandic Encyclopedia (Mark Godfrey, Tate Modern).</p>
<p>8. Thomas Demand, Jeff Wall And Sherrie Levine: Deforming ′Pictures′ (Tamara Trodd, University of Cambridge).</p>
<p>9. Almost Merovingian: On Jeff Wall′s Relation to Nearly Everything (Wolfgang Br&uuml;ckle, University of Essex).</p>
<p>10. Morning Cleaning: Jeff Wall and The Large Glass (Christine Conley, University of Ottawa).</p>
<p>Index.</p>